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Top 50 Groundbreaking Cinema Soundtracks Ever Composed

Via a public poll, John Williams' Harry Potter and Ennio Morricone's The Good, the Bad and the Ugly have been selected among the 50 remarkable film soundtracks deemed the finest of all time by the voting public.

Top 50 Epic Movie Soundtracks Throughout History
Top 50 Epic Movie Soundtracks Throughout History

Top 50 Groundbreaking Cinema Soundtracks Ever Composed

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The Movie Music Hall of Fame 2024 has asked its audience to vote for the 50 greatest film scores of all time, honouring the composers who have created some of the most memorable and impactful musical moments in cinema history.

In no particular order, here are some of the scores that have left an indelible mark on the world of film music:

  • Alan Silvestri's score for Forrest Gump perfectly captures the simplicity and naiveté of the eponymous hero.
  • Max Steiner's score for Gone with the Wind, with its ability to send shivers down spines and create goosebumps, has stood the test of time.
  • Hans Zimmer's scores for Pirates of the Caribbean (Dead Man's Chest and At World's End) and The Lion King are both over-the-top, brassy, and filled with African-influenced melodies, turning animated drawings into living, emotionally alive creatures.
  • Maurice Jarre's music for Lawrence of Arabia and Ghost perfectly captures the vast desert setting and the emotional intensity of the films, respectively.
  • John Powell's soundtrack for How to Train Your Dragon is pure action movie class.
  • Michael Nyman's music for The Piano went on to become a classical best seller.
  • Ennio Morricone and his son Andrea's collaboration for Cinema Paradiso earned them a Bafta.
  • John Williams' two-note shark motif for Jaws became a character in its own right, while his score for Indiana Jones: Raiders of the Lost Ark was removed at the last minute from the list of 1973 Academy Award nominees due to a melody issue.
  • The James Bond Theme, composed by Monty Norman, has been featured in every official Bond film since Dr. No (1962).
  • Elmer Bernstein's galloping, expansive theme for The Magnificent Seven has remained a worldwide favourite.
  • Jerome Moross' score for The Big Country is somewhat reminiscent of the wild west ballets of Aaron Copland and influenced many of the great western scores that followed.
  • Trevor Jones' score for The Last of the Mohicans is majestic, thrilling, but ultimately simple.
  • Craig Armstrong's trademark, halo-glow piano piece, 'Glasgow Theme', is featured in the movie Love Actually.
  • Craig Armstrong's piano theme for the Balcony Scene in Romeo and Juliet has become a standout moment.
  • James Horner's score for Braveheart is understated yet stirring, patriotic but with a reverence and dignity.
  • Thomas Newman's score for The Shawshank Redemption reflects the emotional intensity of the film.
  • Vangelis's music for Blade Runner perfectly captures the mood of the dystopian, rain-lashed Los Angeles in which the film is set.
  • Nigel Hess's scores for Ladies in Lavender and The Lady in the Van perfectly match the stunning scenery and ocean vistas of the films.
  • Ryuichi Sakamoto gained international fame for his music and acting in the film Merry Christmas, Mr. Lawrence.
  • Eric Coates' theme to the 1955 film, The Dam Busters, is now so popular in its own right that it's often played at military flypasts in the UK.
  • Richard Addinsell's Warsaw Concerto for the film Dangerous Moonlight is hugely popular today.
  • Alan Silvestri's score for Back to the Future is right up there with Star Wars and Indiana Jones as one of those iconic Hollywood themes.
  • Michael Kamen's score for Robin Hood Prince of Thieves is rollicking and brassy.
  • Hans Zimmer's score for the 2007 romantic comedy The Holiday was voted one of the greatest film scores.
  • John Williams' Hymn to the Fallen from Saving Private Ryan tugs at the heart strings.
  • John Williams's close relationship with Steven Spielberg and the director's own meteoric career meant that he was the composer for many major films of the period, including E.T.
  • Anton Karas' zither music for The Third Man was discovered by director Carol Reed and the film's cast members.
  • James Horner's score for Titanic earned him a fortune and two Oscars.

These scores have not only enhanced the films they accompany but have also become cultural touchstones in their own right. They have the power to evoke emotions, transport us to different worlds, and stay with us long after the credits have rolled. As we await the results of the Movie Music Hall of Fame 2024 vote, let us celebrate the composers who have given us these timeless masterpieces.

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